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名称 Photography after conceptual art
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(| 08 环境公报)
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出版社 Chichester ; Malden, MA : Wiley-Blackwell, 2010.
ISBN
页数 vii, 200 p. : ill. (some col.) ; 25 cm.
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注解 "Originally published as Volume 23, Issue 5 of Art history"--T.p. verso. 附註 Includes bibliographical references and index. 摘要 Photography after Conceptual Art addresses substantive theoretical, historical and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. Contributions trace photographic art's remarkable transformation form the 'non-aesthetic' uses of the medium associated with various conceptual and post-conceptual practices of the 1960s and 1970s to the large scale pictorial color images that have dominated the medium since the 1990s.--[book cover] 內容 Auto-maticity: Ruscha and performative photography / Margaret Iversen -- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar -- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James -- Exit ghost: Douglas Huebler's face value / Gordon Hughes -- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski -- Roni Horn's Icelandic encyclopedia / Mark Godfrey -- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd -- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle -- Morning cleaning: Jeff Wall and The large glass / Christine Conley.